Showing posts with label Colonel Brandon. Show all posts
Showing posts with label Colonel Brandon. Show all posts

Jane Austen Duel

This week's post asks you to examine the weapon Willoughby would have preferred when Colonel Brandon challenged him to a duel. The practice was already out of favor when Jane Austen wrote Sense and Sensibility, and outlawed in England in 1840. Colonel Brandon was quite cryptic in his description of the event to Elinor:
Pistols being readied
... when he returned to town, which was within a fortnight after myself, we met by appointment, he to defend, I to punish his conduct. We returned unwounded, and the meeting, therefore, never got abroad."
Duels were fought in isolated areas at the break of dawn
And so we ask you, which weapons do you think Willoughby chose? Sword or pistol? Did he want closeness during the fight, or distance?

Which weapon did Willoughby choose to fight Colonel Brandon in a Duel?
Sword
Pistol


  
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Jane Austen Sartorial Throwdown

Ah, the men in Jane Austen's novels. They are so divine, even the rascals. Film adaptations sometimes show them to the best advantage and sometimes not. Let's take a look at Colonel Brandon from Sense and Sensibility. Whose portrayal of the handsome colonel was more sartorially resplendent? Alan Rickman in the 1996 film or David Morrissey in 2008?

Willoughby's Return by Jane Odiwe, A Review

Humans are complex creatures. We are all multidimensional, like the characters that Jane Austen created in her delightful novels. Take Willoughby, the handsome cad from Sense and Sensibility. At the end of Jane Austen’s tale, he expressed his love for Marianne to Elinor, even though he had become engaged to another woman . The reader, sensing his regret, almost feels sorry for him, for he had exchanged his dearest possession for empty coin.

Jane Odiwe’s novel, Willoughby’s Return, centers around Willoughby’s reappearance in Marianne life. But which man does she write about? The scoundrel or the romantic hero with the complicated emotions? Jane O. does not reveal this important bit of information until the very end of her tale. Marianne, although three years older, married, and the mother of a small son, is still as volatile as ever - sensitive, romantic, and impressionable. She has fallen deeply in love with her husband. Although their marriage is sensual and the Colonel spoils her, Marianne has become suspicious of her William. His obligations to his ward, Eliza and her daughter, call him away frequently. When Willoughby reenters her life, as handsome and attractive as ever, Marianne has become unsure of her husband's affections and is feeling vulnerable.

Adding richness to the plot of Willoughby Returns is the tale of Margaret, Marianne's and Elinor's youn sister. Now seventeen years old, she plays the other central role in this novel, in which the happily married Elinor takes a back seat and is barely glimpsed. Margaret experiences her own romance with dashing Henry Lawrence, William Brandon's nephew.

Like Jane Austen, Jane Odiwe is spare in her descriptions of the characters, but unlike Jane A., she is free with her depiction of an age long gone, of market days and vegetable stalls and flowers in a meadow. An artist as well as a writer, Jane O.'s details of scenery and village life are vivid. She has no need to imitate Jane A.'s writing style and in this, her second novel, is developing a keen style of her own. Favorite characters like Mrs. Jennings are revisited, and Lucy Steele (now Ferrars) and her sister Anne also make a reappearance. Jane O's plot has its twists and turns, the suspense coming from the characters' actions, which comes to a satisfying conclusion only after several misunderstandings are cleared up.

Readers who love Jane Austen sequels will find this charming book a more than satisfying read. I give it three out of three Regency fans.
Posted by Vic, Jane Austen's World